following the shock success of t. williams >heartbeat<, voted #3 dance track of the year by us itunes, local action returns for 2011 with the debut 12 inch by contakt.
contakt hails from the midwest, but now lives in new york, where he helps run the acclaimed turrbotax® parties. the sinden-championed >not forgotten< is an ideal introduction to the balance he gets between detroit techno and contemporary underground club music, with huge galloping drums and fiery synths, while the b-side is dedicated to a stunning remix by rolando (underground resistance / ostgut-ton), and a real sleeper hit in the dark, stabbing >rhodophyta<.

big with: deetron, tedd patterson, stuart mcmillan, craig richards, josh wink, chymera, stephan bodzin, monika kruse, ivan smagghe, paul woolford, stacey pullen, radio slave, ... the word >legend< gets bandied around and awarded far to easily these days. but a truer title could not be found for , kirk degiorgio. from the mid 80s working in sohos reckless records buying in the latest rare soul and jazz releases from the us, to his current 2010 releases on planet e and art. kirk has been at the very forefront of boundary pushing, electronic music since its inception.

as nang completes its first two years on the planet things are going pretty well. we are certainly not getting rich in financial terms but the love of the music and plaudits are warming our souls to the core. along the way we have also managed to work with some amazing artists and introduce some mighty-fine new ones to the world so it is with great pleasure that we bring you the 2nd installment of our >array< series. it is a stock-take of the best nang tunes from the past year, some previews on future hits and some tracks we just had to release!

it might seem counterintuitive for a producer to detach themselves from one of the planets most thriving music scenes, but in the case of matthew walker, aka julio bashmore, thats exactly what he did growing up in bass music hotbed, bristol. you see, julios first love is house music. and operating just on the peripheries of the citys scene has allowed him to quietly cultivate a take on the genre unlike any other.
following white hot releases for dirtybird, ten thousand yen and soul motive this is bashmores first new material of 2011

repress !! blackest ever black is a new london-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. music by artists, not engineers. its first release is a self-titled ep by raime, a british duo who draw explicit inspiration from the marginal mavericks of early european goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, raime use technology pensively - to convey a sense of crisis, collapse and longing. transporting and disorienting though their work might be, its narratively taut and has no truck whatsoever with the cosmic, its too aggressive and engaged to be called psychedelic.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

nice price deal !!! on this first release matt follows on from his bingo, jerona fruits and shadybrain releases with his latest offering >threatz<, featuring cuts from jehst and diversion tactics dj jazz t. caned by bailey on his 1xtra show, this is hard hitting drum and bass at its best, full of aggressive funk, tough beats and old skool 97 flavour. on the aa is >embryonic<, a rolling slice of tech drum and bass with an infectious groove that keeps proceedings dark but full of funk, making this a solid release that bodes well for a label concerned with quality not quantity.

olene kadar & d-low team up again and deliver the 2nd ep after their massive >baby keep it up< on cyh2. the a-side track >little miss dynamite< will make your booty shake like it never did before! but dont forget to flip the record! youll find the rework of anton pieete (100percent pure, kling klong). and for all of you digital djs out there check the digital bonus track >pushin da buttons<.

after the big succes of hi tech booty, we searched for some really special guys out there to put hand on ahmets bomb. well here it is. a1 comes from maetrik which was a strong desire of ahmet and for sure an excellent choice. he totally brings in his own style while getting a little bit closer to the darkside of the track. a2 is a special collab between rainer, which we know from the last regular stock5 record together with cesare vs disorder and viudez, a mexican guy that seems to have a very nice influence to the production style. the vocal is very present but placed, arranged and transformed geniously. for sure a weapon! b1 is written by our special friend chris sylvester aka inxec. starting with a very housy groove, it falls quickly into a hypnotic mood that is unique in inxec productions. he really knows what the dancefloor requires and for this we are very happy to have him again in our release roster. b2 presents a very new and fresh artist called rico casazza. he interprets the track in a very detroit way, works verz little with the vocal but hits it very perfectly for the sense of the track. after this debut on our imprint you can be sure to hear more of this young guy in the next time!!!

a1 fur elodie is a cheapy guitar tune combined with the piano to form acoustic sound. other elements are also quite cheapy but sounds very good altogether as a confortable track. a very atmospheric tune to hypnotize people into fumiyas deeper side. the original version is on his album unknown 3 released in 2008. b1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. a kind of chant starts coming in out at certain points to take you somewhere you have never been before. b2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90s house with fumiyas dirty, cheeky, and loopy groove. a trick for jack in the box

early support from locodice, matthias tanzmann, gregor tresher, dubfire, nic fanciulli! new japanese dance music label, arpa records is launching as its first release very own label boss dj sodeyamas techno track >miles<. previously having released on respected labels zenit, ante zenit and more recently on labels archipel, kumo, we are, dj sodeyamas tracks feature a wide range of musical dimensions and have gained much credibility and interest from djs worldwide. the original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by richard spitzer and a deep but solid synth groove. 8bit and cecille label boss nick curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.

feat remixes by art department, wolf + lamb & sideshow. simple celebrates its 50th single release in the new year (and each one of those 50 have been released on that wonderful black stuff known to old people as vinyl). a release that will see the founder, a&r, label manager and tea boy will saul and his long term production partner tam cooper team up for a limited edition gatefold vinyl double pack ep (yep, theyll loose loads of money but not many people get to 50 vinyl releases without loosing their house, car and mind so we think its worth celebrating. the release will feature 4 new tracks from will & tam with remixes from wolf + lamb & slow hands, sideshow and art department (jonny white & kenny glasgow).

desolat are proud to present davide squillace. the rain might be slow to depart in northern europe, but this spring release from prolific dj, producer and a stand-up friend of the desolat family davide squillace should help to transform any lingering clouds into smoke-like cirrus swirls. time to warm up for summer! >what about the vice< is an urgent, bouncy, hissing number to take the dancer deep. / repress (black vinyl)

now.. we know a lot of people have been waiting for this one so without further delays we present matt-us highly anticipated >watchin u< ep. the perfect tune to end this sublime ep.. nothing but quality in here!

terrence parker presents music works volume # 1 (catalog pmw001) is a special project featuring tps favorite picks from his parker music works label featuring house fused with disco, funk, soul, gospel and jazz. tp chose these 3 tracks not only because he likes them personally, but they were also among the most requested tracks by tp fans for a vinyl release. the a side features tps gospel-disco-house production of >let your love show< which was produced in 2010. the b side features a jazz-house fusion track entitled >soul juice< by dj leandre of paris, france. also featured on side b is a disco-house stomper entitled >lets get some love< produced by matt veloce who is a new producer from minneapolis, usa. for fans who like the sound of tps classic tribute ep, this special release is a must have!

right after the success of his massive crude ep on adam beyer s famous drumcode imprint, patrick comes up with the titletrack dome - and boy what a follow-up it is! over ten minutes patrick keeps the tension high, teases us with the raw force of dome over just a few little kickdrum pauses until the track goes through the roof in on hell of a break! on the flip we have hot mess, another primetime weapon, and this one patrick produced together with per hammar, who made a name for himself with releases on great stuff, starlight and kant over the last year, but it was especially his track el salvador on mija rec. a few months ago that introduced per to a bigger audience, causing quite a stir on dancefloors worldwide!

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

will be back in stock in mid february 2011 !!! slamming detroit techno at it best. but its not produced in detroit , its made in sweden !

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

its not every day that we receive demos from new artists that totally rock our world, but when its happens its a joy and a reminder of why we are still doing this. and so tears of joy rolled onto the speakers when we played policys demos. when contacted policy he told us he is from nyc, is a part time movie director and only started making music recently. out of the bunch of tracks we received >specialty party< and >light over fort lee< form his debut ep. both tracks challenge the beat spectrum once again and definitely speak his cinematic mind. expect more music from policy on rush hour later this year. he surely is our contender for best newcomer of 2011.

italojohnson starts the new year punctual with his third stroke. this record will have something suitable on it for everyone out there. without batting an eyelid, its crosseyed and selfconfident, looking at three different floors at the same time: the a-side focuses on the chicago house floor. it begins with a recognizable toolish sound. slowely but surely the theme of the track opens – the track works through a breakdown, a classic drum roll sneaks in and jack grabs again. the b1 provides an unusual turn on the third italojohnson production. theres no space for compromises here. the track stomps on the steam engine warehouse floor. a flowing acid hookline is settled in the industrial drumline and gives the track its meaning. the second track on the flipside completes the whole package and is destined for the late night hours. thats everything there is to say about this track – the strength and emotion can only be experienced by listening first hand. love, peace and happiness

radius continues its superradio series with one of the deeper but bigger tracks from the superradio catalogue. every self respecting disco dj has hammered this gem for years. catch by sun la shan. the best way to describe this track is to picture yourself visage and moroder working out together in a gym staring at a blondie poster. catch is most definitely a seminal piece of work combining disco and new wave in a sexy and sleazy molotov cocktail. the ep comes with a stripped down dub version and a disco devil remix. also hailing from gent, belgium, where radius is based, disco devil stayed quite close to the original vibe with minimal synth efficiency and equally sleazy vocals. catch is sexy!

nice price deal !!! for a friend reflects the electric character of zoo brazil, but the remixes give warmth and groove to the release, case of the own remix from john anderson more housy and tasty, the magnificent remix by belgian top producer kolombo

millions of brilliant idiots are starting their label with a stunning, twisted, and a little wonky 8 track mini lp by german artist joyride. take an intense and timeless ride into this tripful what-ever-stepping forest of nowadays kinky and diverse rooted musical mind. enjoy this deep and strange but beautiful artistically freefall which unfolds its blissful pandoras box with each listen. who knows what is real? its just how it feels!

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

northern structures (troels baunbæk-knudsen and lasse buhl) are a copenhagen based techno duo. troels has been making all kinds of electronic music since the age of 14 but focused mainly on a long international drum’nbass carreer under the excentric pyro moniker. lasse is a longtime dj and has been developing his own productions, with a background in soundscapes and organised noise. both share a love for the harder and deeper sounds of techno not often found in copenhagen, taking in a wide range of influences from the early uk industrial and dub tinged berlin sound to jazz, experimental electronica and rock. the ambition is to create a marriage of industrial and organic textures by avoiding strict rules of programming and aiming for more of a jam based musical playground feel.

optimum is malcolm chen, a new producer from south east london. he has collaborated with ikonika recently but planet mu are very happy to be releasing his first solo 12 inch.
the lead track >max power< lives up to its name, mixing tight electro-soca drums with a barrage of ravey riffs that build up with strange transporting noises, creating an almost unbearable, driving intensity without ever having to reach for the wobbly bass or other cliches.

>contemporary soul< is the term which best describethis release. karat has always felt that records speak for themselves, but if description is necessary, well, there you are. mzkbx (pronounced >music box<) has a soft spot for the classic sound of old school house productions, as well as a healthy fetisch for 80s funk & disco. his productions successfully bring those influences up to date and onwards to the future... veteran record collector and dj (macadam macambo), mzkbx handles the transition to studio with ease, delivering a solid release for karat, in grand style. elegant, classy and sincere, it grooves the dancefloor without reverting to the typical dance music cliches.

rockstrohs track licht in 2009 was certainly one of the most striking club tracks. the unusual combination of previously german vocal and smooth house beats made it at once, not in the top 5 of all dance charts but also brought every floor - the club until the metropolitan area - to the quake. the follow up single tanzen was there to seamlessly and made again for many happy faces in the club - not only for ladies. just in time for the new year rockstroh starts the next rocket. wolke 7 will again reach the peak position of the charts with remix support of finger and kadel remix and alex gap remix

alex cortex and lopazz are bad cop bad cop and they are the perfect artists to open up the new killekill label with this release: widespread, freaky, open minded but whatever style, all tracks are coming with a heavy groove. comes on transparent orange vinyl in a clear sleeve.

first on decks.de !!anton kubikov and maxim milyutenko duo scsi-9 is definitely one of the most popular and successful russian electronic projects. anton and maxim released a huge amount of amazing vinyl eps on such famous labels as force tracks, highgrade, trapez and of course their very own pro-tez records. but most of all scsi-9 is known by their highly acclaimed full length albums on legendary kompakt imprint. after their beautiful >tierra del fuego ep< (included gui boratto and pascal feos remixes and supported by john digweed, sander kleinenberg, dave seaman and funkagenda to name a few) for mike spirits highway records scsi-9 delivers simple but effective tech house masterpiece >smooth sunset<. completed with fantastic remixes by sergey sanchez & thierry tomas (moscow deep house in its finest), alexander pavlenko (ukrainian talent also known as sunchase) and oldschool flavour rework by french pioneer jack de marseille, >smooth sunset ep< will be a great weapon for djs and a true brilliant for all dance music lovers.

label owner, ryuji takeuchi, teamed up with germanys all time favorite, lars klein, to drop this final weapon to the dance floor all over the world. their successful trustworthy men series on a legendary lk recordings has always been in demand and this 4 tracker ep wont be just another piece of the series, but with new idea an approach, it wont disappoint any techno heads. on the a side, youll find 2 modern proper techno tunes by ryuji takeuchi, that involve his unique driving and hypnotic components with angry style breaks. on the b side, lars klein provided 2 great dark modern techno tracks, which come with driving and atmospheric elements. make sure to get it in hands and witness the birth of the new imprint.

sandy warez is a well-known name in the world of noise. working with a number of different artists, as well as solo he has had many releases on several labels over the years (4x4, artillery, cluster, combat-skill, compressed, corachi, corporation, d-form, djax up beats, epileptik, fatallic resignation, friendlyfire, future frontier, industrial strenght, inflicted, invasion, jackstar, jason mask, madhouse both in the genres of hardcore and techno. sandy is famous for playing a unique mix of techno-industrial-hardcore, compatible for both hardcore and hardtechno events. he plays at high bpm, but with a very uplifting vibe.

oooh super hot one from til! truth is light keeps charging along with what could be their most dynamic release yet. still obscure but rather less obtuse than previous outings! limited quantities again. the label shout a four track 12 inch beast that includes a huge gospel cover of sylvesters already smash underground disco hit >i need you<. if this doesnt turn people out, then you should throw these records at people in the club and aim for their necks!

nice price deal !!! amsterdam strikes again! with jamy wing piekup records announce their 4th vinyl release. jamy wing small but nice this young music acrobat flys through the jungle of the always growing vinylmountains. his two basic constituents are techno and strong sounds, full of harmony and down-to-earthness from the division of house. with this ep jamy brings you three house tracks with lots of unexpected melodies and grooves from a higher level. support by richie hawtin, dan drastic, anthony collins, onno, yakine, mirco violo, superlounge

mule musiq proudly introduce the new artist&music in south africa. there are huge deep house scene in south africa.you already know the one of the star in outh africa “culoe de song” who release on innervisions and mule musiq. on a side, the music remind joe claussell or that kind of music but moodswings put more unique touch. on b side, the music is bit closer with chilian stuff than afro house. so their unique music is like a fusion of joe claussell and henrik schwarz and luciano

one year after his debut album on dial records cofounder pawel is back with a surprisingly fantastic remix package. patrice scott the shooting star of detroits house scene drops a version of crillon which represents the magic sound of his beloved sistrum label. osunlade the one and only yoruba soul priest into house music is one of the big influences of pawel and his label mates. and he is deeply in love with the dial sound himself! offering a remix which is already now a bright star supported by house masters like little louie vega is a miracle to be true! last but not least john roberts comes up with a version of kramnik to raise the origin to another level. this tune is so sweet and special as if we all were waiting for it. happy new year has just begun..

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement – he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove

the second volume follows the story with the same phylosophy of the first one. different visions between techno, electronica/idm and electro. tracks generated by ideograma, arcanoid and miguel mendoza but now we introduce a new tesla agent: shadow runner. hes here to provide a dark and deep powerfull techno track.vintage electronics, future classic tracks, the ancient methods for the world of tomorrow, the tesla agents are here to control the voice of the energy. video: http://vimeo.com/17881668

after his rather menacing vision called >worlds end< (hometrainer/acid pauli 12inch, dec 2010) acid pauli pulls another two typical tricky tracks out of his musical drawer. but, to confuse right from the scratch, he gave them polarizing names such as >like it< and >dont like it<. has he possibly planted something on us?

nice price deal !!! bad cop bad cop is the moniker of two of germanys most inventive and unique producers, lopazz (zz badcop) & alex cortex (xx badcop). the boys deliver two peak time dancefloor techno tracks – a pretaste for their upcoming album on pomelo (to be released in 2011).
side a - cherry tea : a broken beat monster which builds and builds and is set to cause serious damage on the more adventurous dancefloors.
side aa - life on stage : features the more conventional but not less stomping 4/4 jack track, another one for peak-time madness.

if you are looking for something that is bite sized, but with huge flavor, then you best try out our >bite sized beats vol. 2<. i m sure you will find that it is extremely satisfying and many levels. there are many more of this series to come, so keep some room in the fridge for some of this future fried funk.

the debut release by molly wagger is the single >weekend<. the original mixes a forlorn and melancholy vocal with an uplifting major 7th piano driven backing. to complete the release we also include the live favourite >molly<, an ode to one of the band members cat. all elements are tinged with a grey-skied but undeniably optimistic scottish pulse which makes it all the more an interesting listening experience.
richard norris in his time and space machine guise take things into 12 inch territory with his remix on the flip side. we gave him the balearic brief and true to form that is exactly what he has delivered, a touch of granite and dark edinburgh afternoons mixed with some ibizan post sunset haze.

taken from the moodmusic new mix cd, retake one! three of the mixs exclusive tracks— axel bomans >cinquenta< , citycobras >fresh simple<, and dave dk s own >will be gone<— are now due for a 12inch release. dave starts with >will be gone< – a deep yet driving groover in finest dk style. taking a step forward from his latest work, he incorporates pick guitar and classy jazz samples into a uplifting and finely crafted come back. citycobra, one half of smash tv, debuts with >fresh simple< on moodmusic. a deep slice of pad infused house with a highly teasing arrangment building a modern take on burrell bros. last but not least, man of the moment, axel boman delivers some fine dub infused moments on >cinquenta<, a modulating roller, taking you on a trip from the first moment on and keeping you nailed

created back in 1994 by secret cinema, no one could have predicted how timeless this track would turn out to be! if you are in to electronic music and live on this planet, theres a 75 percent chance youll recognise the weird reversed, reverbed piano riff! now, for the first time, the original is available digitally with remixes by slam, egbert and secret cinema himself that made their way to vinyl as well. the massive techno tune from 94 is ready for a little update! it can be a challenge to remix a track with so much history, but all three managed to complement the original while giving a unique spin to the track. the secret cinema 2011 remix is a peak time main room power tool that will turn a big crowd into a riot any day. slam take a deeper, more subtle approach that can hypnotize and rock a main room crowd without blowing their wigs off. finally egbert takes the track to a warmer funkier level, equipped with a funk-filled bass line and some warm pads over the top. a truly timeless package!!

skreams label rounds of 2010 with a classic release. its not often a gem like this comes along and its no surprise that fellow production collaborator skream picked it up for his disfigured dubz imprint. having been a regular floor filler over the past year within the emerging techno x dubstep scene, >voyeur< has been in high demand and finally sees the light of day to many peoples delight. it was one of instra:mentals first dabbles with the 4/4 structure but has the maturity and qualities of a rediscovered 90s classic.

second run for major d homme! again super tunes by famous but secret producers.. guess who.. strong support by loco dice, matthias tanzmann, & spencer parker

release number 4 on the scruffy militant wing of the beloved popular peoples front label !! this time around we have a raw, stripped down & acid fueled workout from manchesters miguel manzano. its shot through with the original spirit of late 80s warehouse jams, but rendered in glorious 21st century sonics. on the flip the popular peoples front head back into the dimly lit, sweaty melting pot of chicagos house music past and conjur up a future-retro throwdown of epic proportions